Monday, April 11, 2022

And Here I Stand on Fire: Palm Sunday Passion Reflection

 

And Here I Stand on Fire

“As they led him away they took hold of a certain Simon, a Cyrenian,who was coming in from the country; and after laying the cross on him,they made him carry it behind Jesus.” (Luke 23:26)

 Oh  I know  the story
that somehow  I was seized by the soldiers
                                                                      to walk

behind him

                     the burden of the day  

                                                         heavier by far

than a single bar of wood 

                                            But  I know

how I fell out

                         into the road

as they pulled him along 

My breath caught my throat   constricted

water streaming down my face

                                                    Oh  I know 

He stumbled   he shook

                                        he groaned

and I looked into his bloody eyes 

They never seized me

                                       He did 

I grabbed the wood

                                  I could not lift him

from the dirt   I could not leave

I could only see his back   his legs 

II.

When the stumbling stopped

                                                the beasts

pushed me back  into the crowd

two women wiped my face

held my hands   and stood

                                            with me

until the silence and the dark descended

 III.

They brought me to the hall

 Men I did not know made me bathe

drink  what little wine they could spare

 It was not sleep

                          it was a falling into nothing

I could dream

 IV.

Days and nights made

no difference

 V.

Please let me cry this  to you

 Again the air grew warm

we all grabbed each other and leaned

into fear

                the door   disappeared

and I saw

                  His eyes

his eyes

                as steady as a fisher’s net

pulled me to him

                               Again I fell

and never broke the stare

                                          His

hand upon my head

                                  please let me

cry

        His hand

                           and I said

Yes

 And here I stand

                             on fire with his eyes

his hand

                  upon me still

 

(For the Ordination of Joshua Peters, SJ

20 June 2020)

Wednesday, December 22, 2021

"In Galilee a Virgin"

 

In Galilee, a Virgin

(Luke 1:26)

 

With the whisper

                                 came the fire

sounding into a hum that caught me

breathing slowly

                                I knew    from somewhere

to be still    but blistering heat

shifted my breath

                                   choking me

 

Near the edge   I heard

one word   then another

                                              and then

I was light enough to leave my bench

my hands sought the source

                                                     my eyes

blinked and teared

                                    then one word

then another

                             The fire pulsed   the

whisper floated

a circle

                  my hand

trembling  beneath my  heart

                                                      and from

where   or how    I still do not

know   there was only

                                          the fire

 

And my  yes  stilled the air

 

What will

                    his eyes see

when I place his hand here

                                                   where

the fire lingers  still

                                    what will

my throat release into 

the world  suddenly and forever split apart

 

Is any   yes   enough

                                      to shear

away the doubt   the searching

is over

 

I am now made

whole

             when I can hold what

this fire has claimed

                                      I will

sing  softly   every  yes   I

ever dreamed

                            to give

 

 -- Luke

20 December 2021

Tuesday, September 28, 2021

"I Done Done What You Told Me to Do"

 [Solicted for a project on Jesuits and Theater, coordinated by George Drance, SJ]

The title of this reflection comes from one of the grand old Spirituals, which should be no surprise to anyone who has sampled any of my other writings. What amazed me when I discovered this song, just a few minutes before I began writing this piece, is how it could be the drumbeat for a meditation on how one lives one’s vocation – no matter what the circumstance or specifics of the call. Not only could I use this song as a way of thinking about all the moments in my life when I was told to do something by my parents or by teachers, something – anything – that I was either hesitant to do or absolutely paralyzed from doing, I can use this song as a way into understanding how faith has been performed throughout my life.  No; it is not a quirk that I have never been able to imagine doing all sorts of great and fulfilling things. I tell people that I have been most successful when I have been told, “I think you ought to do……” and I say, “If you say so….” I have learned to trust those who see gifts in me that I often overlook.

https://www.youtube.com/watch?v=62LSdhqxHXM&list=PL-W4ZdGkUNrnIQvye1F_w4E6f6DgbF0tM&index=55

My sixty years of work in theater is the perfect proof of this being led by faith into and out of a wilderness of discovery and transformation. Within weeks of my entering the Society of Jesus in 1962, Fr. Joseph D. Sheehan, our Novice Master, understood that I would need a forceful intervention in my life if I were to ever break through the overwhelming fear I had of speaking in public. Oh, I had been the drum major for the Beloit Catholic High School marching band for three years in high school. But in almost every other public setting I fell into a traumatic state of confusion and fear. I had to be forced to have my picture taken, to be put behind a microphone to speak. Looking back all these decades, I know why this condition controlled so much of my public life. Racism. I was the only Black person in my high school for three of my four years in attendance. The administrators manipulated me into every publicity photo ever produced. I was always pushed forward for the public view. Even my selection as drum major was racially based. “You have a better sense of rhythm than the other band members,” our band director said. Oh, really? The only Black kid in the school? How sensitive. And how completely wrong – at least in the beginning. By my senior year I could perform as well as any drum major in any of the southern Wisconsin high schools.

Three months after I entered the novitiate, Fr. Sheehan had grown frustrated with having to demand that I answer questions or offer comments in our classes. He called me to his office one afternoon, to “give him some advice,” he said. The novitiate was going to produce a holiday musical. It would be a parody of “The Music Man,” called, “Man, Music.”  And he wanted my opinion as to which novices could be cast in many of the roles in the play. He handed me the cast list. My name was already there. “No.” I was clear. “I will not appear on stage. I cannot appear on stage.” “I didn’t ask your permission,” he said. And truly, the rest is history. I went into the absolute wilderness of the theater and came out of the wilderness, more alive than I had ever dreamed possible. The first enthusiastic laughter and applause for what I was doing told me that I should wade into that water, with faith and gratitude.

During my four years in that building, I acted in seven plays – sometimes small roles; sometimes the lead roles. Crafting costumes and creating choreography when needed, added to my skills set. Soon after I moved on to St. Louis University to begin the formal study of philosophy, theater classes and productions became a therapeutic oasis.  My year of graduate studies at Johns Hopkins pulled me into directing – at the request of the Hopkins undergraduate drama club. I directed three plays (two one-acts and one full-length play) during that one academic year. And on and on.

In all of these years, I learned that the theme for this reflection is about faith. This Spiritual fits how I feel about religious life and priesthood – connecting also with another powerful meditation, “Done Made My Vows to the Lord, and I will go, I shall go, to see what the end will be.”  That was the song Sr. Thea Bowman blessed us with when the community of the Institute for Black Catholic Studies visited her in Canton, Mississippi, the year before she died.  

https://www.youtube.com/watch?v=N2yf4PaXHLc&list=PL5384FE34170E9995&index=43

I will go. I won’t turn back. I will trust the truth of the vision of others. I have no idea what the end will be, but when I get farther along the path, I will tell God, the ancestors, my elders and my trusted circle, “I done done what you told me to do.”  That is theater at its most vulnerable and transparent.  We trust the script, the director, the actors, the crew. Faith. And then…. oh, how blessed is the moment when we begin to have faith in ourselves; seeing, finally, within us what those who love and trust us have always seen.

From a production of “Teahouse of the August Moon,” performed at St. Louis University in 1968. The director, Leo Hanson, had to convince me that I could play a 90-year-old village elder of Okinawa. At least one member of the audience confirmed Mr. Hanson’s choice. They asked him who was that retired professor who played the old man. An almost 70-year difference between my age and the age of the character. It does not matter. The Spirit of Wisdom inhabits all of us.

And from the most recent moment of blessing and confirmation: playing Solly Two Kings in the 2018 production of “Gem of the Ocean” at Southern Illinois University. The character fit me better than a costume. An elder taking a young questor on a journey into their history and then turning over the role of guide to the young one.

Teaching? Ministry? Acting and directing? Being an elder? 

I done done what I was told to do.

https://www.jesuittheater.org/



Saturday, July 31, 2021

The Tomb of Ignatius: Rome 1972

 

 



Rome.31 July 1972. Photo: Michael Harter, SJ

Liturgical Dancers: Luis de Tavera & Joseph A. Brown, SJ.

Eucharistic Liturgy: Presider: C. J. McNaspy, SJ. Community: Jesuit Institute of the Arts. 3rd Annual Meeting.




The Tomb of Ignatius:  Rome

31 July 1972

 1.

mark it out:  six footsteps.  just under

that.  deep enough for a child

for a child to  hide    and if able to stretch

and turn over    it would touch the walls.

no more room.

not even air would be comfortable beyond

these limits.   and tightly sealed.

 

2.

see it:    a boat

a covered  gold boat    shaped

to float lightly into the sea    riding

high off to the edge of nowhere

if called.    or sent.

 

3.

angels everywhere.   pulling the eye

up and around.    pointing into corners where

prayer evaporates and silence lingers.

behind marble clouds and silver folds

bronze curving in and out    the breath

that comes from the holy places everywhere

you look.    can you see it.

now.    mark it.    out.

 

4.

when the bones have been cleaned they must be

boiled until the last scraps of meat and muscle

collect on top.    boil them in lye for the

best results

 

5.

results are seldom expected.    even though

you know that plants need water

and rich dirt for successful growth    once

in awhile    a seed has been found

to take root in dust    airless dust

dust that is sealed away from

light    from rain    from everything but

memory

                 (and even some times in forgotten

dust)

 

6.

we were wrong    distracted    fools

after gold to believe that visions

come in silence

                           though a busload of belgian

tourists buying postcards    avès riding

in a wave of mumbled music    timed by

camera shutters and lights locked in

15 minute cycles

                             the vision in that should

have been a clue

 

7.

that he would have accepted

 

everything at once

how clear he knew that

not even bernini himself could contain

an italian determined on devotion

 

8.

little child

ignatius

who could follow a lame man

who wept more and more as

time slipped him somewhere.

beyond he child.

and back again

 

9.

called.    or sent.

the eye cannot be held to sliver

lights the perfect draping on an

angel’s thigh

                       it is drawn to wonder

if the dust

has any hidden

 

10.

Sustenance

 

 

11.

it could

it could

 

12.

something brought us here

 

13.

mark it.    nowhere.    mark it out.

see.    somewhere.    see it.    dust.

gold and bronze.    tears.    visions

called it.    out.

                          sustenance.

sent.    sent or called.    called.

and sent.    sent and called.    here.

yes here.    of course here.    he

would know.

                       he knew.    a flame

is always certain.

                             especially

in darkness.    in silence.    here.

yes here.

               sustenance.    in dust.

in tears.    in tourists.   lights.

and visions.    yes.    mark it.

everywhere.

[Published in The Sun Whispers, Wait: New and Collected Poems. Brown Turtle Press. 2009]

Saturday, June 12, 2021

"After the Flare and Flame"

 

After the Flare and Flame

 The Road to Emmaus: Luke 24: 13 -32

 We knew it no longer mattered

                                                      how we stumbled

away from the gushing women

                                                          and

our brothers who were no longer ashamed

to weep

 

If we walked twice the seven miles to home

we would

 

Anything to exhaust the rage

                                                     before we were crushed

and as empty as he said he found the cave

 

Burning everywhere    our eyes   our throats

our lungs

                   my skin was dry enough to peel

with the merest touch

                                                     enough

 

What stoked this fire   was fear

 

Neither of us noticed

                                         or cared

to see the stranger nearly upon us

 

His first words startled me

reawakening the rage that had

                                                           almost

settled like ashes  after the flare and flame

 

The confrontation took us both into a howling

threatening storm of words

                                                    Until he twisted us free

of the knots that had strangled us  these last

fearful days

 

How could we be blind

                                            how

could we not hear the voice that will now

forever  hold us  still

 

                                       Our hunger shifted

from needing  protective enveloping dark

 into the memory of his mother

handing us bread so many nights

 

When he broke the bread

                                                he brought us

from the tomb where we had cowered

 

And now we can do   

                                      as he had done

and will always do

 

give that bread to all

 

-- Luke

 

Dedicated and offered as a gift to a group of men bringing their light into an all-too-shadowy world. For the ordination of newly ordained priests:  Ajani Gibson (for the Archdiocese of New Orleans); and for the Midwest Province of the Society of Jesus: Thomas Bambrick; Jeffrey Dorr; Garrett Gundlach; Robert Karle; Aaron Malnick; Hung T. Nguyen; Trevor Rainwater; and Jeffrey Sullivan.

 

Friday, December 18, 2020

"What Little Hope We Have"

 These demands stab at what little hope we have

left buried in the soil of our prayers    Pay now

go there    stop that   Bow down   die

How like we are to the soon exhausted oil left

sputtering in the darkness

                                             Them   forcing us to register

away from here    when all will be ignored before any

return is finished   step madly into the water    and drown

who will even notice

                                            Look     

they have come back

 

Some dark cloud seemed to cover her as

they came to each of us that morning

 When they left for his forced reckoning

                                                                  I doubted

their place would wait that journey’s close

Nevertheless we left it locked against intrusion

Something between them seemed so trusting and

so calm that they gave us just enough morsels

to sustain us

                                  But now

 there is     yes   there is   oh my   this  

she is holding a child    and he is holding her hand

and the guiding cord for the mule

                                                                  a child

I am going to the road

                                             and so are the others  to see

what is  pulling us into their path    what    yes  oh

yes   she is looking at each of us

                                                            and he too  is holding

us with a gaze so fierce as to begin us humming

just to find our breath

                                               yes   oh yes

a child is here

                                to tell us  

                                                       why the light must flare        

 

-- Luke

Christmas. 2020                                 

Tuesday, May 12, 2020

"My Arms Are Empty"


My Arms Are Empty: A Song of Lamentation
for Ahmaud Arbery
Oh 
When I saw him die
                                      I no longer
cared about the trembling    the tears
no one  walks these streets    except
the very few
                         and the solitary runners
choke me    I cannot breathe against
the rhythm sorrow beats into my
throat

             I moved into the morning and I will
sit   against this tree
                                        seven days   they say
seven days of tattered shirts    I no longer
care    let the holes be seen   seven
times seven   I have found this place   and I will
stay
         No    I cry   and   no    I whisper
and no one
                       cares that I am
become the Pietà without a child
even that  
                    even that
                                        And I hum   ‘Oh, Mary,
Don’t You Weep”  and she is now
                                                         here with me
saying    No   you will    you must   drain your heart
until the others come
                                    and the others will

This tree is not shelter   not from
the devouring fire    it burns
forever   and our scars
                                        pulse
with the rage that cannot sound

when the others come
                                       I will
know that we will
                                  then unclench
our swollen fingers

Our hands will drum our sorrow
into this ground
                                Yes    I see
you glance at me    yes    I am
the one who whispers each
child’s name   if I cannot hold
them to my breast    I will
hold them with my song
                                           Yes
live   child   you live
                                     and this
tree and I  will be the place where
no lie can live